sorcyress: Just a picture of my eye (Me-Eye)
So this is technically fifteen minutes late. Sue me, it's not tomorrow until the sun rises or I sleep.

A week ago, I made a post being all "Half-Naked Thursday, whee!". It was meant to be a look at more metaphorical nakedness, stripping down the walls to show you what I've really got going on in my world.

At any rate, then I mentioned that I originally had two photos and was only showing one of them. This makes this weeks HNT really really easy for me to manage --next week, I will have to actually look around to find a bit of myself to reveal, if indeed, I continue on with this trend.

But yes. Have a picture of me being naked. Odd, in that it's also not a picture of me at all.

Happy Thursday.



This second is a little more new, a little more raw. It's the ceiling of my room, directly above my desk.

A week or two ago, I was having a rough night. In talking with Rackle, she brought up the term "Index card days", where you're just so socially frustrated and out of cope that you have to communicate through tiny 3" by 5" cards.

I have a pile in my desk drawer. Out they came that day, and it seemed the most logical thing in the world to write some song lyrics across them. Lyrics from strength-songs, where the lyrics don't necessarily matter in the slightest, but the message of being strong is crucial to my well being. "Go Away Godboy" is the song I use the most for this --I've never really had problems with people trying to convert me or mine, but howling along with the words can stabilize my mood like nothing else.

Because the words are meant to say "fuck you, I'm stronger than that", and on days when I am weak and helpless, I really need that.

And I forced myself out of the sobbing1 to write more of them, because if I am actively writing, I am forcing distraction, and that little edge of distraction is all I need sometimes to stabilize. All of them have wound up there, tucked into the framework of the drop ceiling. I've got ten of them now, apparently. I'm sure that, as I enter this mood, and need the music and lyrics, I'll think of more.

So that's my current vulnerability. Come visit, I'll let you read them if you'd like.

~Sor
MOOP!

1: Which itself was after that pervasive emptiness, and broken by my reaching out. I don't like playing shitty girl games, and I hate being cryptic, but that doesn't mean I manage to make all my words to people transparent. There are people who can read between the letters and the lines, through the /me and the carefully arranged punctuation and capitalization, and figure out what I'm actually trying to say over IM, that I just can't, because the words just won't come.

...and because there isn't an elegant way to put what I'd be doing in reality into words. It's that vulnerable look when I arrive on your doorstep, and ask for a hug, and pull myself into you, a double fistful of your shirt as I hide inside your arms, and pour myself out onto your shoulder. It's past want, straight into need, and I don't have a lot of people I've done it to, or *could* do it to (two? maybe three?) and I'm about to lose one of them, but I don't care, because sometimes there's safety there, and that's what I need more than anything else, that memory of safety. ((ETA: Holy run-on sentences, Batman! But this is kinda what my brain starts doing when I am in a vulnerable state))

It's an index card with eight words on it. It's an IM with eleven. It's being held, and being *held* and being held. It's the stairwells at Springstep, and just out the door at NEFFA. It's the long process of reducing the scarred and improving the weird. It's crying in June with the door shut, it's crying in July curled in the arms of someone I can't have, it's crying in August to a boy I barely know, it's crying-sobbing-breaking in January as I watch Next to Normal and try to separate their pain from mine, and try to find the strength I need to say the words I can't, I couldn't, I did.

It's the response I need, when I need it. It's breaking the emptiness with a *kiss*, and breaking the sobs with an *embrace*. It's *comfort*, from everyone who's ever given it.

And it's s00j and Dar and Vienna and Amanda and Alice.

If you can figure out a quicker way to tell people I need "that" than all the above, I'd love to hear it.
sorcyress: xkcd panel with a single character alone at the computer and the text "Some nights, typing *hug* just doesn't cut it." (xkcd hug)


I am not crying anymore. You don't need to give me sympathy or hugs, though I won't especially mind them, especially if they're accompanied by an actual comment.

But sometimes I do cry, and when I do, I generally look like absolute shit. Tonight pretty much wasn't an exception. But if I shade my eyes and look away, there is beauty in all that pain. Because I'm human, and because crying is human, and humans are beautiful.

One of the things I feel in the back of my mind is that I don't post enough pictures to this journal. I think it would be nice to change that. I like this self portrait.

Not every picture I take is taken from before the walls1. Every once in a while, I take one behind.

~Sor
MOOP!

1: Behind the Walls is a term I've used for most of five years now. It is everything that is secret, and not for anyone but me to know. Sometimes I share it, a little. Theoretically, I've been getting better at sharing over the past few years. Before the Walls would, of course, be anything that anyone could see --most of this journal.
sorcyress: Picture of a smiling tampon with the phrase "Girls: We're so emo we don't even NEED to cut ourselves" (Emo-period)
Dear self.

Well, I guess this is just resounding fucking proof that you're not a functional human being. Your emotional stability should not be dependant on other people, ever. Grow up, stop crying, and pretend to be an adult. You know, that thing that you're so desperate for people to see you as?

Luv, me.

P.S: You're not worth it. Get over yourself.
sorcyress: Just a picture of my eye (Me-Eye)
So, last Tuesday I had an emo attack of the *worst* sort, which led to me curled up on the floor crying and holding my boxcutter. Not cutting myself, not cutting anything else (although I was tempted to butcher my jeans just as an outlet) just playing with it. Eventually, my brain kicked in and went all "hurr, you're a writer, why don't you write on yourself instead of not-cut yourself. Doesn't hurt anyone!"

So...I did. I wrote an exceptionally emo poem called "Litany of Hate" using myself as the canvas. I wrote it mostly on my arms and legs, and have done my best to reproduce the not COMPLETELY behind the walls bits here:

Said poem. An unhealthy combination of emo and 'Why Sorcy is effed up' version point whatever beneath the cut. Own risk, blabla )

So! Results.

In which Sorcy does manage to metadiscuss the above poem and some of the ramifications it had on her, but also spends quite a bit of time digressing about movies, being distractable, and plotting lesbian biblophiliac porn. )

Logically, I think the next thing to do would be an analysis of the poem itself, but I'm bored of writing this, and will do so later. (Later here having a meaning of broken'never'. [/scruffy!Norrington]) I'm off to go scrawl down random things in the writersjournal about bits of world that I have been building since sixth grade. Ta!

~Sor
MOOP!

(((Apropos of nothing, I appear to have coined a new term in the dictionary of useful Kat-stuffs. Before the Walls. It's the general equivilant of things that are behind the walls, except that you lot get to read it.)))

Postscript: My English class is rubbing off on me. I actually went back and fixed the text of the second cut so that it had proper parrallelism. On a side note, what does ETA mean? I got that it's some sort of "I edited this" shorthand, but I don't actually know the rest.

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sorcyress: Drawing of me as a pirate, standing in front of the Boston Citgo sign (Default)
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